Paul Bailey, who died in October aged 87, was acclaimed for possessing a comic brilliance, deep empathy including for the worst personalities in his stories, and an intelligence that was never clinical. His fiction often explored the power of memory within personal journeys, propelled by sharp, rhythmic dialogue. In addition to storytelling, he worked as a memoirist, poet, and more—this serves as a roadmap to his enduring literary legacy.
Bailey was an outgoing person, an excellent talker who adored lighthearted gossip, as one character notes. He and friend Beryl Bainbridge used to view the TV show Coronation Street and debrief by phone. This pleasure in chatty conversations shines through in his books the novel Trespasses (published in 1970) and Peter Smart’s Confessions (released in 1977). Each includes a main male protagonist encircled by comic, maddening, theatrical individuals, usually kin whose impact cannot be avoided. “What’s so great about being normal?” queries Ralph’s mother in the book Trespasses when he reveals he is gay. Like an evening with your smartest, cheekiest pal.
Bailey wrote superbly on old age, early and late in his career. His initial fiction At the Jerusalem (1967) details the journey of Faith Gadny as she adjusts to an old people’s residence, where other occupants supply compassion lacking from staff, whose concern through questions “Why aren’t you ladies watching the television?”. In the novel before his final the title Chapman’s Odyssey (from 2011), an elderly hospitalized man moves between disputing with medics (“I consume only fine wines”, he affirms following criticism of his liver) and experiencing a rush of recollections involving his mum, partners, classic characters like Dickens’s Pip to Austen’s Emma. Both books contain humorous dialogues yet shadowed by approaching finality. Throughout his novels, laughter is suspect. Within At the Jerusalem, “the matron smiled, shut the smile off quickly”; The character giggles with unease when confronted about her behavior. In that novel, Harry advises that “my smiles aren’t what they seem”. Your laughter, nonetheless, is sincere.
Besides novels, Paul Bailey served as a skilled autobiographer, issuing two personal accounts. An Immaculate Mistake (1990) is a masterwork of recollection, its name coming from his parent’s remark that “You were our mistake. You ought not to be here, by rights.”. (“She was old now, and letting go of her secrets,” he adds. “She understood this would captivate me.”) Within these pages appear the origins of misguided, loving, frustrating parents throughout his books. It likewise portrays a moving picture of a gay youth during the mid-20th century, when homosexuality was illegal, and his family found it odd for a boy to buy his mother flowers; and of a hopeful performer (The writer was on stage prior to authoring) who could recite Hamlet as a teen. His second memoir the book A Dog’s Life (from 2004) centers on existence alongside his mixed-breed dog Circe, his former partner David, his love for Romania—which inspired subsequent books such as Kitty and Virgil, Uncle Rudolf, plus the book The Prince’s Boy—and loads of chatter, with a story involving author Iris Murdoch dubbing a participant a “stupid cow”.
Paul Bailey’s books are generally brief—the notable Old Soldiers (published in 1980) is under 100 pages—but for something shorter, explore his poems in his final phase. The pair of volumes Inheritance (2019) and Joie de Vivre (released in 2022) showcase Bailey’s wit, empathy, precision in small packages. These poems are rich with endings and beginnings. Two love themes recur: for his mother (“I feel nearer to you now—/ I must confess—/ than when you lived”) and for his civil partner Jeremy Trevathan. In that piece, he describes the joy of “watching an idiotic TV entertainment” together, finishing with: “It’s awesome, in its way, this act of eating cheese / and drinking wine, as the world keeps darkening.”
Most agree that the author’s most expansive book is the novel Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He was a Booker judge in 1982, a role he disliked.) This novel the author was most proud of, despite the fact “it consumed all his energy”. It tells Gabriel Harvey’s story, whose mum disappears while his dad transforms into a intolerable pretentious person following a financial windfall, and the two might be related. It acts as a representation of 20th-century London, an account of psychological collapse, and as funny and sad similar to his entire output. For more, it inspired a follow-up, Sugar Cane (published in 1993), that he investigated by attending brothels to observe.
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